The slower pace of skiing in Gstaad, Switzerland

The slower pace of skiing in Gstaad, Switzerland

A young skier navigates the slopes of Eggli. Pam LeBlanc photo

I’ve spent a week or two every year for the past 25 years skiing resorts across the western United States and Canada.

I’ve burned through the trees in Lake Louise, braved the winds of Big Sky, blasted down the slopes of Telluride and kicked back in the fine mountain lodges of Sun Valley, but until this week, I’d never stepped a ski-clad foot on a European slope. I figured the skiing didn’t get any better than it did in the Rockies, and if I was going to go to Europe, I’d rather spend my time exploring villages and museums then schussing down mountains. Plus, I’d heard the lift lines described with a two-word term that loosely translates as chaotic.

Skiers relax during lunch on the slopes of Eggli. Pam LeBlanc photo

This past week, though, I packed my parka and goggles and aimed for Gstaad, Switzerland. And in a nutshell, I can’t wait to go back.

One thing I learned: The main pastime for most people who visit Gstaad isn’t really skiing. It’s a high-end destination, and most guests who stay in the luxury hotels or vacation homes have been coming for decades. And instead of hitting the ski slopes daily, like they do in Colorado, they fill their days with socializing, dining and shopping. Sure, they might squeeze in a day or two of skiing, but that’s not their focus.

That’s not to say the skiing isn’t fantastic. It is. It’s also different from skiing in the United States. The resorts around Gstaad are  smaller, more of a network of ski lifts connecting multiple towns.

My guide Bernhard steered me toward fresh snow with no tracks. Pam LeBlanc photo

We started on Eggli, skiing there one morning and pausing for lunch in a little wooden cabin atop a hill catered by a rotating cast of luxury hotels (the on-mountain restaurant is undergoing renovation, so it’s a temporary solution). Our group of eight tucked into the little shelter for an hour, enjoying wine, soup, pasata and thin, crusty pizza for an hour. Afterward, while the rest of the group ditched their skis for spa treatments, I talked the guide into spending more time on the slopes.

I love to ski, and those afternoon runs sent me to heaven. For an hour, we bypassed the intermediate slopes and headed for the ungroomed, off-piste areas. Over one ridge, we found untracked powder halfway up my calves. We dipped in and out of the trees and whooped and hollered all the way. I have no idea why no one else was back there, but it was the best tracks I’ve laid down in recent memory.

We wound up the next village over. And funny thing about Switzerland – some parts are German speaking, other parts are French speaking. We started on the German side and ended up in the French part, in the span of just a few miles.

Another difference here? Instead of swift-moving four-pack or five-pack chairlifts, we rode mostly T-bars and poma lifts. Slopes here are marked differently than in America, too – blue for beginner, red for intermediate and black for expert.

It’s a slower pace, yes, but civilized. We never once waited in line, even with fresh powder and a bluebird sky.

I also got to know my guide, Bernhard Hanswirth, a little bit. A local, he works part-time as a ski instructor for a company called Alpin Zentrum, and part-time as a dairy farmer and carpenter. He and his brother care for about 20 cows, just as their father and grandfather once did. While many of the local farmers make their own cheese from the milk they get from their cows, the Hanswirths sell it to a local creamery that does that part of the job. His oldest cow is 13 years old, he says, much older than a dairy cow typically lives in America. He obviously cares about his animals, and notes that by government regulation Swiss cows must spend at least every other day out in the pasture, not boxed up in a barn.

He prefers skiing of his three jobs, of course, and although he’s never skied in the United States, he likes the family friendly, casual vibe of skiing in this cozy slice of the Swiss Alps.

“Everything is a little bit smaller here” he says. “People like that it’s not as big or crowded as Aspen. The resorts are not as fancy.”

I want to go back and ski more in Gstaad! Pam LeBlanc photo

That surprises me, considering the luxe vibe of Gstaad, where designer stores like Louis Vuitton, Hermes and Prada line the narrow streets, and by regulation all the structures are built in the traditional wooden chalet style, none of them higher than three stories – above ground, anyway. Some extend like James Bond liars under the surface.

Lift tickets are less expensive here than in the big Colorado resorts, too, about $75 Swiss francs a day, and the U.S. exchange rate is currently about equal.

“You can ski six different villages from here,” added ski instructor Philipp Wirz of Bern, who has been teaching here for nine seasons.“It’s not so crowded. You can always find slopes that are not so steep for the beginner, too.”

The views are stupendous, he notes. You can see for miles, and a jagged peak called the Gummfluh draws the eye. “Everything is open,” Wirz says. “You can see over the mountains.”

Another bonus? The less-intense vibe. It’s possible to ski from village to village, pausing in each one to sip white wine and swirl crusty bread crusts in posts of cheese fondue in each one.

As Hanswirth and I make it to the bottom of the mountain, we glide right off the mountain to the back of a van driven by Wirz, who has driven to the next village to pick us up. That’s pretty impossible back home.

We ate lunch in a tiny cabin on the mountain. Pam LeBlanc photo

 

 

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Get a good look at yourself Gstaad Mirage, a house built of mirrors

Get a good look at yourself Gstaad Mirage, a house built of mirrors

Gstaad Mirage is a one-story suburban home built of mirrors and perched on a Swiss mountain. Pam LeBlanc photo

For a constantly changing view of the Swiss Alps, head to Gstaad Mirage, an art installation by American artist Doug Aitkin.

The Mirage, a one-story house with every surface but the floor clad in mirrors, reflects its surroundings, whether they’re glistening in snow, flashing in a lightning storm or popping in fresh green grass. Time your visit for a Friday, and you might meet Stefan Werner, who takes a squeegee and a bucket of alcohol mixed with water to wipe the glass walls clean one day a week.

Stefan Welton washes all the mirrored surfaces of the house every Friday. Pam LeBlanc photo

“It’s all about the fingerprints,” he told me as he made the walls and ceiling shine.

The installation opened here last year and will remain until January 2021. According to the artist, it’s designed as a “reflection of the dreams and aspirations projected onto the American West.”

I crouched in front of an exxterior wall and looked at the mountains behind me. Pam LeBlanc photo

As I stood in front of the house and watched clouds move in, it almost disappeared into the landscape. I walked up close, crouching near rows of narrow mirrored strips to get a view of the Videmanette, which forms a mountainous backdrop. Inside, I saw eight replicas of myself on the ceiling, and rows of my image lined up down a curving wall. Walking through the house will remind you of exploring a fun house, without the dizzying distortions.

Looking out a window of the mirrored house, which is surrounded by mountains. Pam LeBlanc photo

The installation is the third of its kind by Aitkin. He has created similar homes in the desert of Palm Springs, and a former bank vault in Detroit. The Swiss version was adapted to withstand heavy snowfall, and was originally part of Elevation 1049: Frequencies, an art festival in Gstaad in February 2019.

Aitkin, 52, studied magazine illustration and now works in photography, print media, sculpture, architecture, film and live performance. His past works include a reflective hot air balloon and gondola in Massachusetts, and an underwater sculpture moored to the ocean floor off of Catalina Island in California.

To get to Mirage, take the short train ride from Gstaad to Schonried, then walk 15 minutes down a small path to the installation, which is open 24 hours a day. Entry is free.

Gstaad Mirage was created by American artist Doug Aitkin. Pam LeBlanc photo

 

 

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Scouting the route of the Texas Winter 100K paddling race

Scouting the route of the Texas Winter 100K paddling race

West Hansen loads a canoe on top of a truck after paddling the Colorado River. Terri Lynn Manna looks on. Pam LeBlanc photo

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The last time I spent much time in a canoe, I spent way too much time in a canoe.

That was Texas Water Safari last June, when I paddled nearly non-stop for 53 hours in a three-person boat headed 260 miles from San Marcos to Seadrift. When that adventure wrapped, my butt hurt, my shoulders ached, my brain had fried and all I wanted to do was sleep – for about five weeks. Many moons passed before I could even think about gliding down a river dodging alligator gar, clambering over floating mats of bobbing logs, communing with palm-sized spiders and wading through mud.

Yesterday, though, I climbed into a tandem canoe with a high school friend for a 24-mile paddle down the Colorado River to scout part of the route of the upcoming Texas Winter 100K race, which starts at Lady Bird Lake and finishes at Fisherman’s Park in Bastrop.

I competed in the race last year as part of my training for the Safari, and loved seeing the river barren of leaves, and paddling through a crispy sunrise. I’m not planning to race the Safari this year (maybe next!), but I am considering doing the TWO, which shook out as a full day of wildlife spotting, peeing-without-getting-out-of-the-boat training and general conditioning last year. But water levels are lower now, so I haven’t made the final call. (Also, I’m not sure my friend, veteran paddler Curt Slaten, can tolerate me for that long.))

Still, yesterday’s cruise in semi-sluggish waters made for a fun day, punctuated by the sighting of numerous Mexican eagles (caracara), several squadrons of cormorants, some jumping fish, a few other paddlers, and one nice scamper through the woods. Race director West Hansen, along with fellow Arctic Cowboy Jeff Wueste and cross-country traveler Terri Lynn Manna, joined us for the excursion.

Interested in the race? Go to www.texaswinter100kto register. There’s even a category for standup paddlers, who for the first time can do the entire 62-mile distance this year.

And if free stuff matters to you, listen closely. This race hands out the best schwag of any I’ve ever entered – a slew of Yeti coolers and cups and outdoor gear, all doled out during a raffle at the pre-race briefing the night before. That alone could be worth the price of admission.

Terri Lynn Manna, center, takes a nap while West Hansen, front, calls for a shuttle pickup. Jeff Wueste watches from the driver’s seat. Pam LeBlanc photo

West Hansen checks the route of the upcoming Texas Winter 100K. Pam LeBlanc photo

West Hansen checks the route of the upcoming Texas Winter 100K. Pam LeBlanc photo

 

 

 

 

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Take Three for the Sea the next time you’re at the beach

Take Three for the Sea the next time you’re at the beach

I picked up trash when I walked down the beach in Galveston this week. Pam LeBlanc photo

Check out this photo: Two things I hate, and which I found in abundance during a morning stroll on the beach at Galveston Island this week.

Whoever dropped the straw didn’t even use it. It was still tucked inside its paper wrapper when I found it in the sand. And that plastic water bottle? I can think of only a very few instances that a reusable water bottle wouldn’t work just as well, or better.

I was staying at the DoubleTree (yay warm chocolate chip cookies!) on Seawall Boulevard and got up early to walk across the street enjoy the sunrise, which was lovely. I’d also just listened to an NPR report about recycling.

According to the network’s “Plastic Tide” series, the average American generates more than 250 pounds of plastic waste each year. Most of it isn’t recycled.

According to the organizers of the Take Three for the Sea movement (www.take3.org), only 9 percent of the 8.3 billion tons of plastic that has been made since the 1950s has been recycled, and an estimated 8 million tons of it washes into our oceans each year.

That spurred me to a tiny action.

Since I’m compulsive, I picked up a plastic bag (found on the beach) and filled it with trash that I found during my walk. Galveston Beach is pretty. I want it to stay that way. I hope you do too.

 

 

 

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Taking the New Year’s plunge at Barton Springs Pool

Taking the New Year’s plunge at Barton Springs Pool

Jumping into Barton Springs on New Year’s Day is an Austin tradition. Chris LeBlanc photo

​I leapt into 2020 at Barton Springs Pool today, along with several hundred others who realized that a Polar Plunge into Barton Springs Pool barely merits a cup of hot chocolate.

The water temperature at the spring-fed pool in downtown Austin hovers around 70 degrees year-round (that despite a rumor that it’s always 68 degrees.) And 70 degrees actually feels quite comfortable when the air temperature is in the upper 50s.

That’s the thing about swimming at Barton Springs in the winter. There’s less of a difference between the air and water temperature, so it’s not that shocking when you get in. The cold comes later, when you get out and stand on the edge of the pool, dripping wet.

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My husband and I managed just fine, though, and so did plenty of others who ventured down for the party.

A couple of outdoor heaters were set up just outside the gates, so air-cooled swimmers could thaw out before heading home.

I spotted a man in a dinosaur suit, a woman in a shark costume, a guy wearing a weird red, white and blue onesie and others out to help Austin maintain its reputation for weirdness.

And that spring water helped baptize the new year for me.

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About Pam

I’m Pam LeBlanc. Follow my blog to keep up with the best in outdoor travel and adventure. Thanks for visiting my site.

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