‘Everest’ makes a chilling – and oddly down-to-earth – opera

‘Everest’ makes a chilling – and oddly down-to-earth – opera

Andrew Bidlack, left, plays mountain guide Rob Hall, and Craig Ver, below, plays Doug Hansen in ‘Everest.” Photo by Erich Schlegel

If you’ve never heard the word “y’all” sung in an opera, or seen an opera starring performers wearing insulated jackets and oxygen masks, you haven’t seen “Everest.”

I caught the Sunday matinee of the one-act opera, which chronicles the 1996 disaster on Mount Everest that claimed eight lives, at the Long Center for the Performing Arts.

The show focuses on three men – Rob Hall (Andrew Bidlack), the guide who led the expedition; Doug Hansen (Craig Verm), one of the climbers who died there; and Beck Weathers, the Houston man who survived the catastrophe. It premiered in Dallas in 2015, features a score by Joby Talbot and libretto (sung in English) written by Gene Scheer.

I love opera, but in a down-to-earth way. I can’t get enough of the pageantry of it, the intricacies of the music and the dramatic story lines. “Everest” – with its love story, doomed and flawed characters, and unique costumes – fills all those pockets in an oddly perfect way.

Kevin Burdette plays Texan Beck Weathers in the Austin Lyric Opera’s production of ‘Everest.” Photo by Erich Schlegel

You might remember the story from Jon Krakauer’s book, “Into Thin Air.” A team of climbers led by Rob Hall aims to summit Mount Everest. Weathers, the Texan who had paid $65,000 to make the trip, suffers vision issues and is left to wait on the side of the trail while Hall and Hansen go on. But Hansen falls ill, and Hall is left to try to save him.

In the operatic version, we get a main character with a Texas accent (“mah” instead of “my”) who hallucinates that he’s at a family barbecue, and dreams he’s seeing his daughter. We get ghosts of people who have died trying to summit the peak. And we get the back story of a man who has suffered profound depression.

The opera premiered in Dallas in 2015, and has since been shown in Chicago and Calgary, among other places.

It’s different, it’s short, and it’ll leave you shivering, but not from the cold.

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Banff Film Festival comes to Austin March 8-9

Banff Film Festival comes to Austin March 8-9

“Surfer Dan,” about a surfer who braves the ice of Lake Superior each winter, will screen on night two of the Austin event. Photo by TK Merrell.

Lace up your hiking boots for two nights of outdoors-themed films that’ll draw Austin’s tent-and-backpack set to the Paramount Theatre on March 8 and 9.

The Banff Mountain Film Festival World Tour, presented by Whole Earth Provision Company, features shorts about travel, culture, environment and adventure around the world.

This year’s lineup includes “Surfer Dan,” a docu-short about a trident-wielding surfer, his beard and hair crusted with ice, who braves a partially frozen Lake Superior to hang 10 in the winter.

Rock climbers will get their fix with “The High Road”; mountain bikers will appreciate “Life of Pie”; kayakers get a turn with “Camel Finds Water”; and skiers can geek out with “Circle the Sun.” The films – 10 the first night and 11 the second – range in length from 3 to 45 minutes each. Each night’s programming is different.

The film festival got its start in Banff, Canada in 1976. The festival in Canada features about 400 films. About two dozen are selected for the traveling show, and this year stops are planned in more than 40 countries.

I make it down for the event every year, along with other Austin outdoor junkies who consider the festival their version of the Academy Awards, minus the gowns and heels. I even love hearing the narrator, whose dramatic booming voice announces the names of the sponsors, which include Banff & Lake Louise Alive, Deuter, Clif Bar, Mountain House, Oboz Footwear, Smartwool, Buff, Sierra Nevada, Kathmandu, Yeti, National Outdoor Leadership School, World Expeditions, Kicking Horse Coffee, Lake Louise and the International Alliance for Mountain Film.

Nina Bishop climbs in a scene from “The High Road,” which will be shown on night one of the Austin festival. Photo by Brett Lowell

The show starts at 6 p.m. Sunday, March 8, and 7 p.m. Monday, March 9. Tickets, which cost about $22 each and are available at www.austintheatre.com, have sold out in past years.

This year is the ninth that proceeds from festival, along with donations from customers at Whole Earth stores during April, will benefit Texas state parks. So far, more than $230,000 has been raised for public programming at the parks.

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Fog, friends, and an unfurling river: Racing the Texas Winter 100K

Fog, friends, and an unfurling river: Racing the Texas Winter 100K

 

Curt Slaten and Pam LeBlanc, bottom left, push into the river after the first portage of the Texas Winter 100K paddling race on Jan. 26, 2020. Patty Geisinger photo

Other than a 25-mile cruise from Austin to Webberville a few weeks ago, I haven’t dipped a paddle in the water since the Texas Water Safari ate me up and spat me out last June.

That changed yesterday, when I raced the Texas Winter 100K, a 62-mile paddle race down the Colorado River from Lady Bird Lake to Fisherman’s Park in Bastrop.

So yeah, I was nervous. Sixty-two miles might sound like nothing after slogging 260 down the San Marcos and Guadalupe rivers during the Safari, but it still meant paddling from dawn to dusk. Also, I’d signed up to race tandem with an old high school friend I’d never raced with before. Who knew how that might turn out.

Our race started at 7 a.m. underneath the Interstate 35 bridge. As we lined up for the takeoff, the sun was just starting to cast orange and purple streaks across the sky. We sprinted down Lady Bird Lake in the half darkness, and lurched out of our boats for the first portage at Longhorn Dam.

One of my favorite parts about this race? The team of volunteers who carry competitors’ boats through the pedestrian tunnel and down to the water. It’s sort of like having five-star butler service in the middle of a backcountry camping trip.

Curt Slaten built the boat we raced in the Texas Winter 100K. Patty Geisinger photo

We pushed our wood strip boat back into the river below the dam, into curling wisps of fog that hovered just over the water. That sight alone was worth the race entry. The rising sun silhouetted paddlers against the haze as they moved rhythmically downstream.

Other highlights? Blue herons, cormorants, egrets and what appeared to be a bald eagle, perched on a tree next to a nest the size of a Volkswagen bug.

We paddled a wood strip canoe built by my race partner, Curt Slaten. I scouted for obstacles from the front, while he steered from the back. Together we eyeballed riffles in the river, trying to decide where the current would carry us most swiftly.

The water flow was lower this year than last, and we grounded out on gravel bars more than once. That meant we had to get out of our boat and slosh through the water, which turned my feet into frozen bricks that didn’t thaw out for about three hours.

Along the way, we passed duck hunters half hidden in reeds on the side of the river. My shoes were nearly sucked off my feet during one muddy portage, and a stiff wind kicked up later in the race, igniting a slew of curse words from our canoe. As we paddled, Curt and I reminisced about our high school days nearly 40 years ago. We got passed by sleek, fast boats, but we passed some boats too. We stopped twice for supplies – peanut butter sandwiches and bananas, delivered by our crack support crew, Mike Drost.

We made it to Fisherman’s Park in Bastrop before dusk, after 10 and a half hours of non-stop paddling. I’m happy with that.

It felt to get back on the river and paddle. Photo by Mike Drost

This morning, I feel like an 18-wheeler ran over me. My back muscles feel like an overstretched rubber band, and I’m having trouble doing anything but lounging on the couch.

But the race gave me my canoe legs back. It reminded me why I’m drawn to the river in the first place – to spy on the critters that live there, to feel the water on my skin, and to ride a ribbon of liquid to wherever it’ll take me.

 

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In the Swiss Alps, take time to walk from village to village

In the Swiss Alps, take time to walk from village to village

Every tree branch and blade of grass was encrusted in ice. Pam LeBlanc photo

With this week’s cheese, butter and chocolate consumption off the charts, I needed to hike.

Fortunately, that’s easy to do in Switzerland, where you can explore the countryside via a network of well-marked gravel pathways.

Ice crystals formed on every surface. Pam LeBlanc photo

I squeezed in two hikes my last full day in Gstaad, starting with a chilly walk along a twisting river in Lauenen, where cows outnumber humans and an overnight storm had put a delicate crust of diamonds on every twig and blade of grass. When the sun broke over the mountains, the entire forest shimmered.

I passed frozen stacks of hay, shaped just like the ones Van Gogh famously painted, and crossed a narrow wooden bridge over a half-frozen stream. My walk felt like a tour inside a glass-blowers factory.

The Swiss make the best hot chocolate! Pam LeBlanc photo

After an hour, my fingers turned to popsicles, so I stopped in the coffeeshop at the Hotel Alpenland, where I ordered hot chocolate. You can get two kinds here – the classic type, made with dark chocolate, or a maltier version called Ovomaltine. I opted for the darker stuff, which came in a ceramic mug with a small cinnamon cookie and a sifting of grated chocolate.

In the afternoon, after the other journalists in my group had departed, I hitched a ride to Schonried, a 20-minute drive from Gstaad. From there, I followed the “wanderweg” signs (I love the Swiss term for hiking). Even though it had snowed a day earlier, the trails had been cleared, another indication of that perpetual Swiss tidiness.

I struck out for Gstaad.

I soaked up this view while hiking around Gstaad. Pam LeBlanc photo

My route began with a dip alongside a ski lift that was busily whisking skiers up a nearby slope. I shivered a little, as snowflakes stacked up on my knit cap. I stopped to snap pictures, then followed the gravel path as it swung around a corner and headed into the farmland. I clomped past farmhouses and the occasional bed and breakfast, inspected some pumpkin-sized cowbells hanging from a barn, admired fields frosted in white, and followed the trail as it led me across a ridge with views of old chalets and hillside villages.

At one spot, I discovered a wooden cabinet holding an array of milk and cheeses for sale. What a concept – just pop your money in the cash box, using the honor system instead of a credit card, and help yourself to a snack.

Many farmers sell cheese from self-service boxes in the countryside. Pam LeBlanc photo

At one point, the trail forked, with signs pointing in opposite directions, both labeled Gstaad. I stood perplexed for a few minutes, until a farmer pushing a cart magically appeared and asked if I needed help. (The people here seem to pop up just when you need them, eager to offer assistance.) I told him I didn’t know which trail to take, and he directed me toward a snow-covered route marked by poles. That, he pronounced, would take me to Gstaad Palace, where stars including Richard Burton, Grace Kelly and Elizabeth Taylor have all stayed.

Perfect. I stuck my tongue out to catch a few snowflakes, descended into the village, passing the palace’s striking turrets, and found my way back to Park Gstaad, my temporary home away from home, in an hour and a half.

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The slower pace of skiing in Gstaad, Switzerland

The slower pace of skiing in Gstaad, Switzerland

A young skier navigates the slopes of Eggli. Pam LeBlanc photo

I’ve spent a week or two every year for the past 25 years skiing resorts across the western United States and Canada.

I’ve burned through the trees in Lake Louise, braved the winds of Big Sky, blasted down the slopes of Telluride and kicked back in the fine mountain lodges of Sun Valley, but until this week, I’d never stepped a ski-clad foot on a European slope. I figured the skiing didn’t get any better than it did in the Rockies, and if I was going to go to Europe, I’d rather spend my time exploring villages and museums then schussing down mountains. Plus, I’d heard the lift lines described with a two-word term that loosely translates as chaotic.

Skiers relax during lunch on the slopes of Eggli. Pam LeBlanc photo

This past week, though, I packed my parka and goggles and aimed for Gstaad, Switzerland. And in a nutshell, I can’t wait to go back.

One thing I learned: The main pastime for most people who visit Gstaad isn’t really skiing. It’s a high-end destination, and most guests who stay in the luxury hotels or vacation homes have been coming for decades. And instead of hitting the ski slopes daily, like they do in Colorado, they fill their days with socializing, dining and shopping. Sure, they might squeeze in a day or two of skiing, but that’s not their focus.

That’s not to say the skiing isn’t fantastic. It is. It’s also different from skiing in the United States. The resorts around Gstaad are  smaller, more of a network of ski lifts connecting multiple towns.

My guide Bernhard steered me toward fresh snow with no tracks. Pam LeBlanc photo

We started on Eggli, skiing there one morning and pausing for lunch in a little wooden cabin atop a hill catered by a rotating cast of luxury hotels (the on-mountain restaurant is undergoing renovation, so it’s a temporary solution). Our group of eight tucked into the little shelter for an hour, enjoying wine, soup, pasata and thin, crusty pizza for an hour. Afterward, while the rest of the group ditched their skis for spa treatments, I talked the guide into spending more time on the slopes.

I love to ski, and those afternoon runs sent me to heaven. For an hour, we bypassed the intermediate slopes and headed for the ungroomed, off-piste areas. Over one ridge, we found untracked powder halfway up my calves. We dipped in and out of the trees and whooped and hollered all the way. I have no idea why no one else was back there, but it was the best tracks I’ve laid down in recent memory.

We wound up the next village over. And funny thing about Switzerland – some parts are German speaking, other parts are French speaking. We started on the German side and ended up in the French part, in the span of just a few miles.

Another difference here? Instead of swift-moving four-pack or five-pack chairlifts, we rode mostly T-bars and poma lifts. Slopes here are marked differently than in America, too – blue for beginner, red for intermediate and black for expert.

It’s a slower pace, yes, but civilized. We never once waited in line, even with fresh powder and a bluebird sky.

I also got to know my guide, Bernhard Hanswirth, a little bit. A local, he works part-time as a ski instructor for a company called Alpin Zentrum, and part-time as a dairy farmer and carpenter. He and his brother care for about 20 cows, just as their father and grandfather once did. While many of the local farmers make their own cheese from the milk they get from their cows, the Hanswirths sell it to a local creamery that does that part of the job. His oldest cow is 13 years old, he says, much older than a dairy cow typically lives in America. He obviously cares about his animals, and notes that by government regulation Swiss cows must spend at least every other day out in the pasture, not boxed up in a barn.

He prefers skiing of his three jobs, of course, and although he’s never skied in the United States, he likes the family friendly, casual vibe of skiing in this cozy slice of the Swiss Alps.

“Everything is a little bit smaller here” he says. “People like that it’s not as big or crowded as Aspen. The resorts are not as fancy.”

I want to go back and ski more in Gstaad! Pam LeBlanc photo

That surprises me, considering the luxe vibe of Gstaad, where designer stores like Louis Vuitton, Hermes and Prada line the narrow streets, and by regulation all the structures are built in the traditional wooden chalet style, none of them higher than three stories – above ground, anyway. Some extend like James Bond liars under the surface.

Lift tickets are less expensive here than in the big Colorado resorts, too, about $75 Swiss francs a day, and the U.S. exchange rate is currently about equal.

“You can ski six different villages from here,” added ski instructor Philipp Wirz of Bern, who has been teaching here for nine seasons.“It’s not so crowded. You can always find slopes that are not so steep for the beginner, too.”

The views are stupendous, he notes. You can see for miles, and a jagged peak called the Gummfluh draws the eye. “Everything is open,” Wirz says. “You can see over the mountains.”

Another bonus? The less-intense vibe. It’s possible to ski from village to village, pausing in each one to sip white wine and swirl crusty bread crusts in posts of cheese fondue in each one.

As Hanswirth and I make it to the bottom of the mountain, we glide right off the mountain to the back of a van driven by Wirz, who has driven to the next village to pick us up. That’s pretty impossible back home.

We ate lunch in a tiny cabin on the mountain. Pam LeBlanc photo

 

 

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Get a good look at yourself Gstaad Mirage, a house built of mirrors

Get a good look at yourself Gstaad Mirage, a house built of mirrors

Gstaad Mirage is a one-story suburban home built of mirrors and perched on a Swiss mountain. Pam LeBlanc photo

For a constantly changing view of the Swiss Alps, head to Gstaad Mirage, an art installation by American artist Doug Aitkin.

The Mirage, a one-story house with every surface but the floor clad in mirrors, reflects its surroundings, whether they’re glistening in snow, flashing in a lightning storm or popping in fresh green grass. Time your visit for a Friday, and you might meet Stefan Werner, who takes a squeegee and a bucket of alcohol mixed with water to wipe the glass walls clean one day a week.

Stefan Welton washes all the mirrored surfaces of the house every Friday. Pam LeBlanc photo

“It’s all about the fingerprints,” he told me as he made the walls and ceiling shine.

The installation opened here last year and will remain until January 2021. According to the artist, it’s designed as a “reflection of the dreams and aspirations projected onto the American West.”

I crouched in front of an exxterior wall and looked at the mountains behind me. Pam LeBlanc photo

As I stood in front of the house and watched clouds move in, it almost disappeared into the landscape. I walked up close, crouching near rows of narrow mirrored strips to get a view of the Videmanette, which forms a mountainous backdrop. Inside, I saw eight replicas of myself on the ceiling, and rows of my image lined up down a curving wall. Walking through the house will remind you of exploring a fun house, without the dizzying distortions.

Looking out a window of the mirrored house, which is surrounded by mountains. Pam LeBlanc photo

The installation is the third of its kind by Aitkin. He has created similar homes in the desert of Palm Springs, and a former bank vault in Detroit. The Swiss version was adapted to withstand heavy snowfall, and was originally part of Elevation 1049: Frequencies, an art festival in Gstaad in February 2019.

Aitkin, 52, studied magazine illustration and now works in photography, print media, sculpture, architecture, film and live performance. His past works include a reflective hot air balloon and gondola in Massachusetts, and an underwater sculpture moored to the ocean floor off of Catalina Island in California.

To get to Mirage, take the short train ride from Gstaad to Schonried, then walk 15 minutes down a small path to the installation, which is open 24 hours a day. Entry is free.

Gstaad Mirage was created by American artist Doug Aitkin. Pam LeBlanc photo

 

 

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